'With big power comes bigger
responsibility' is the saying that fits in perfectly well
for a film like Singh Is Kinng. Reasons are aplenty,
the stakes are really-really high and expectations have been
unparalleled. Wanna reiterate the reasons? Well, this list
is long. Read on.
a) Singh Is Kinng is THE Akshay Kumar ever since
Namastey London. Heyy Babyy was superhit but it also
featured Riteish Deshmukh and Fardeen Khan. Bhool
Bhulaiyaa was a superhit as well but left his fans
asking for more, courtesy his entry only around the interval
point. Welcome was a blockbuster but it was clearly
dominated by Anil Kapoor and Nana Patekar. And though
Tashan had Akshay Kumar as the best part about it, in
entirety the film made for a miserable viewing. No wonder,
Singh Is Kinng turns out to be THE film for Akshay
Kumar that would further reinforce his hold amongst the
masses.
b) Vipul Shah and Akshay Kumar.
Together they have given Aankhen, Waqt and
Namastey London. Singh Is Kinng is undoubtedly their
biggest and most prestigious project together.
c) The Anees Bazmee factor. He has a superhit No Entry
and a blockbuster Welcome with Akshay. The expected
super-success of Singh Is Kinng should bring Bazmee -
the entertainer, into a different league altogether.
Id) Akshay Kumar and Katrina Kaif. After an average runner
like Humko Deewana Kar Gaye, they haven't set a foot
wrong with Namastey London and Welcome. Move
over Priyanka Chopra, Katrina Kaif is the new darling of the
nation when it comes to being paired with Akshay Kumar!
e) Title of the film - With one masterstroke, Akshay and
company have attacked a bulk of the mass audience across the
globe. There is no reason why a catchy title like this
shouldn't promise a blockbuster start for the film across
India, UK and USA.
f) And of course Pritam, the man who is entrusted with the
responsibility of creating music for the biggest film of his
career so far. After a smash 2007, he has Race and
Jannat ruling the charts for months now in the current
year. Along with one of his favorite lyricists Mayur Puri,
he must have been under huge pressure to deliver a kind of
score which would cut across boundaries, work amongst all
age groups and turn out to be a true-blue commercial masala
entertainer.
Does the team deliver? Does the album meet the sky high
expectations? Does it justify all the hype surrounding it?
Does it guarantee a success for those who have invested
crores in the music and the film? Does it turn out to be a
true 'paisa vasool' entertainer?
The answer to that is, as you would have guessed by now, a
solid YES!
Thump. Now that's sheer thump what you witness in the title
song 'Singh Is Kinng' that marks the opening
of the album. The song in picture is not the one which is
currently on promos (the Pritam version) but the much hyped
Snoop Dogg version. A RDB track composed by Calvin Broadus
with Surjeet Singh, Manjeet Ral and Kuljeet Ral, 'Singh
Is Kinng' is one such chartbuster number that ensures
that you don't have to worry much about what would follow
next. And that's quite a saying considering the fact that
the 5 tracks to follow are composed by Pritam which itself
promises an entertaining ride.
However, sheer beats which accompany 'Singh Is Kinng'
(which brilliantly amalgamates Western and Indian style)
make this number deserving enough to be heard and seen on
the big screen, let aside your own state of art home
theater/music system. It's the power in the composition
which ensures that the song is a chartbuster in the first
listening itself. Now the wait begins for the music video of
this track which one expects to be a nothing short of being
brilliant considering it also sees Akshay Kumar singing a
few Punjabi lines in the middle of the proceedings. Does he
do well? Oh, yes of course he does.
From here on Pritam takes over and his tracks from this
point ensures that it doesn't turn out to be the situation
that one saw last in Humko Deewana Kar Gaye [Remember
how Himesh Reshammiya's title song version had camouflaged
the remainder of the album which was composed by Anu Malik?).
In case of Singh Is Kinng, that won't be the case
even by anyone's wildest imagination as Pritam gives a great
account of himself and creates a sound that keeps the
Punjabi flavor of Singh Is Kinng intact.
This is very much visible in his song 'Jee Karda'
which has one of his favorite and most successful singer
Labh Jan Jua arriving on the scene. But before his arrival
it is Suzie.Q who steals the scene with her English
rendition. It is a trademark Pritam sound that opens 'Jee
Karda' which soon brings the Punjabi flavor on.
While Labh pumps up the jam and in the process gives Akshay
Kumar yet another hit song, Suzie.Q continues to make her
presence felt and adds on to the cute-sexy-glamorous image
of Katrina Kaif.
This is followed by the Hyacinth created 'remix
version' which requires just 30 seconds to establish
itself into the collection of the season for all up market
DJs. If the original came with its own thump, this one only
takes the effect forward and makes sure that if a dance
floor is unavailable, you won't mind hopping on to your car
and hitting the highway for a long ride!
Now this one throws in a surprise. Pritam composed title
song 'Bas Ek Kinng' isn't half as enthralling
on being heard on TV. But hear it on a high volume on a
music system and chances are good that the number would
leave you on a high. The comparisons are obvious and the
fact also remains that the Snoop Dogg title song is indeed
better than this one but by itself, 'Bas Ek Kinng'
does turn out to be a number which would make an impression
on the big screen.
Yet another number which has the 'thump' factor keeping the
album's mood upbeat, it has singers of varied sensibilities
- Mika Singh, Neeraj Sridhar, Ashish Pandit and Hard Kaur
(for rap) - coming together! In fact the way Hard Kaur
begins her rap for the 'remix version'; you know that it is
going to be indeed different from the routine remixes.
Termed as a 'Tiger Style Mix', this one turns out to be a
better version and one now waits to see if the makers would
opt for yet another music video here!
Welcome to the North belt and the areas dominated by Punjabi
in overseas! Daler Mehendi's 'Bhootni Ke' is
so rooted to the Punjabi folks that one wonders whether
Pritam had perhaps resided in Punjab to truly imbibe the
culture, mood, folk and flavor of the state in his sound and
then create the song! This one is foot tapping from the word
'Go' and is about a bunch of friends teasing the groom on
his marriage. Mayur Puri's lyrics are perfect as per the
situation and are witty while giving Pritam enough fodder to
make sure that the song doesn't come with a single dull
moment. Let the song's promotion begins and it should soon
find a place amongst marriage processions and other
festivities, at least up North!
Later DJ Amyth arrives with his 'remix version'
of the song and transports the song from the fields of
Punjab to the discotheques in metros! Yes, this one works
too! Surprisingly, after all the 'josh' created successfully
by Daler Mehendi, the makers also incorporate a 'Tiger
Style Mix' version by Mika. However, one wonders if
this was indeed required as Daler version was in any case a
winner and though in isolation the Mika version would have
worked too, here it turns out to be 'just another' version!
It's a complete about turn after four dance numbers with the
arrival of romantic 'Teri Ore'. If you have
liked 'Bol Na Halke Halke' [Jhoom Barabar Jhoom]
and 'Falak' [Tashan], then chances are quite
high that you would love 'Teri Ore' which has Rahat
Fateh Ali Khan and Shreya Ghoshal proving yet again that
they are an unmatchable couple when it comes to delivering a
romantic duet. The duo takes the listeners to the interiors
of India which is distanced from the hustle-bustle of the
city life and makes this well written Mayur Puri track a
delightful hearing.
Not to leave the urban audience behind, Clinton and Eric
Pillai arrive with their own 'Lounge Mix'
version and create a setting which would allow you to settle
down on a couch with dim lights, a candle dinner and a
bottle of wine! Yet again Shreya Ghoshal and Rahat Fateh Ali
Khan demonstrate their standing in the music scene and
ensure that when it comes to singing, it is sheer quality
that attracts them!
Pritam's lucky mascot Neeraj Sridhar arrives in the very end
with whom he has given countless hits till date. This time
around it's the time to get into a club with a demand for a
drink and getting high while singing 'Talli Hua'.
With Labh Janjua for company, Sridhar's 'Talli Hua'
(that again has a strong Punjabi flavor) may not turn out to
be another 'Teri Aankhen Bhool Bhulaiyaa' but still
manage a good standing for itself to make Singh Is Kinng
an overall package album that would be lapped up in dozens
by the masses.
A club number about friends making merry, it later sees a 'Jay
Dhabi Mix' version with Style Bhai arriving after a
long time with his rap. The add-on effect only aids in
keeping the tempo high for this album that more or less
stays consistent in the kind of sound which it brings with
it.
Singh Is Kinng boasts of being a chartbuster album -
there are no doubts around it. While the 'Bas Ek Kinng'
is already popular, the Snoop Dogg version of Singh Is
Kinng would register tremendous hype for the film and
the album once it is out. 'Bhootni Ke' and 'Jee
Karda' are sure shot chartbusters which wouldn't take
much time to be grabbed by the masses while 'Teri Ore'
and 'Talli Hua' have all in it to be popular once the
film releases and is accepted by the audience.
The album is another highlight of Pritam's career and would
ensure that his super-success run continues. Singh Is
Kinng could have taken a bumper start at the music
stands had it seen a uniform release across the globe. Since
it has seen a scattered release both within and outside the
country, it may not open at the #1 position that it truly
deserves. However, in a week's time once the album is
available all over, it would be time for the music company
to uncork the champagne once it starts ruling the charts all
over.
    
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