Bazmee has the knack of making immensely watchable fares that cater to the aam junta. SINGH IS KINNG isn’t a laughathon in entirety. Comedy, romance, action and drama, everything is well synchronised in those 2.10 hours here.

But, wait, SINGH IS KINNG isn’t a foolproof product. It has its share of flaws, the turn of events aren’t captivating at times, but SINGH IS KINNG moves so fast and packs in so much, there’s no time to think or analyze.

The final word? SINGH IS KINNG is a delicious and scrumptious pav-bhaji served in the finest cutlery. Your taste buds are sure to relish it… and ask for more!

Lakhan Singh aka Lucky [Sonu Sood] is the King of the Australian underworld, accompanied by his associates [played by Javed Jaffrey, Neha Dhupia, Manoj Pahwa, Yashpal Sharma, Kamal Chopra and Sudhanshu Pande]. Far away, in a small village in Punjab, where Lucky was born, there exists someone more notorious than him -- Happy Singh [Akshay Kumar].

The village is fed up of Happy’s magnanimity, which has resulted in a number of hilariously disastrous situations. Out of desperation, they decide to send him on a long trip [that will keep him out of the village for a while!] to bring Lucky back to Punjab, as his despicable deeds were maligning their image in Australia.

The happy-go-lucky bumpkin, taking his mission a bit too seriously, embarks on his journey, accompanied by his friend, Rangeela [Om Puri], who hates Happy for dragging him into it.

The high point of his journey is his chance meeting with Sonia [Katrina Kaif], with whom he falls in love, but upon reaching his destination, things take a precarious turn as he runs into a series of comic misadventures, leaving him penniless. He is fortunate to find warmth and affection in an elderly lady [Kirron Kher].

In a strange turn of events, an attempt on Lucky’s life is foiled by a well-intentioned Happy, who fights off the attackers by risking his own life. Following the altercation, Lucky lands up in hospital paralyzed and Happy, unexpectedly, finds the tables turned on him when he is expected to assume the role of the new King.

Few minutes into the film and you know that SINGH IS KINNG is a lavish spectacle that’s high on entertainment. Sonu Sood chasing a gora assassin at the very start or minutes later, Akshay chasing a hen -- SINGH IS KINNG starts with gusto.

And Bazmee doesn’t let you wear your thinking caps all through the first hour. From India to Egypt to Australia, from the comforts of his home in Punjab, to the humble abode of a woman selling flowers in Sydney [Kirron Kher], SINGH IS KINNG involves you in the journey.

And then Akshay becomes the King. Oh, how he becomes the King is equally hilarious. The sequence at the hospital [Sonu Sood is diagnosed with a weird disorder] is simply hilarious. There’s a twist in the tale at the intermission point and the second hour, therefore, shifts gears -- it changes from kabhi funny, kabhi drama to a prem kahani.
 

It’s smooth sailing till there’s another twist towards the pre-climax [wouldn’t like to reveal it, since it would act as a spoiler]. But, frankly, the film could’ve done without this track. The narrative, thankfully, is back on tracks soon after.

Anees Bazmee has a flair for writing great entertainers that work big time with the masala-loving junta. If you’ve loved NO ENTRY and WELCOME, you’d love SINGH IS KINNG too. This time, Bazmee shares the writing credits with Suresh Nair and the duo come up with some real wacky episodes. In terms of production design, this is Bazmee’s most lavish fare so far. It’s a grandiose product.

Pritam’s music is already popular and it compliments the goings-on completely. ‘Bhootni Ke’, ‘Jee Karda’ and the title track stand out, while ‘Teri Ore’ is easy on the nerves. Ben Nott and Sanjay Gupta’s cinematography is top notch.

Akshay Kumar takes rapid strides with SINGH IS KINNG. Sure, you’ve seen him in comic fares time and again and perhaps, there might be a doubt, Will he carry it off yet again? Oh yes, he does! There’s no saturation point as far as this actor is concerned. He holds your attention in every sequence, irrespective of how strong the scene is, and that’s the biggest compliment for any actor. SINGH IS KINNG without Akki is like an ocean without marine life. Akshay rules!

The camera loves Katrina Kaif and it shows in SINGH IS KINNG too. She looks bewitching and enacts her part with tremendous confidence. Kirron Kher is superb and so is Om Puri. Terrific performances! They compliment Akki so well. Ranvir Shorey is first-rate. Sonu Sood is another actor who’s finally getting his due in Hindi films. Javed Jaffrey’s character works big time till he does a somersault in the pre-climax. Neha Dhupia is engaging. The nok-jhonk between Sudhanshu Pandey and Yashpal Sharma is perfect. Manoj Pahwa is good.

On the whole, SINGH IS KINNG lives up to the hype and hoopla. Want a joyride without taxing your brains? Board the SINGH IS KINNG wagon. At the box-office, the film will fetch a hurricane-like start. The paid previews, the opening weekend, the first week business, everything will be record-shattering. Notwithstanding the new oppositions in the weeks to come, SINGH IS KINNG will rule the hearts of the aam junta [whose verdict matters the most] as also the box-office, proving a record holder in the final tally. Blockbuster Hit!