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Music Review
Mission
Istaanbul |
Apoorva Lakhia certainly
likes to make movies with strong men in tow. Ek Ajnabee,
Shootout At Lokhandwala and now Mission Istaanbul
- 'macho' has been the keyword in each of the films made by
the young director. If Shootout At Lokhandwala was
his biggest film till date, Mission Istaanbul seems
to be taking a step forward with global terrorism as the
theme.
Just like SAL, Apoorva ropes in multiple composers
for Mission Istaanbul too with contribution coming
from Anu Malik, Shamir Tandon, Chirantan Bhatt and Mika
Singh. With expectations of a zany score with strong Western
and Turkish flavor (due to the setting of the film), one
plays on the soundtrack of Mission Istaanbul.
The mood is set right at the
beginning of the album with a female voice taking you right
into the by-lanes of Turkey. Rendered by Kunal Ganjawala,
Gayatri Ganjawala and Raaj, 'World Hold On World Hold
On', which is written by Shabbir Ahmed, is a decent
hear with composer Shamir Tandon fusing Western arrangements
into this theme song. A young number which moves at a good
pace, albeit reminding of the style from the 80s, it should
be a decent watch on screen though it's 'remix version' is
fair for a club outing.
There is added fun in the
offering with the arrival of the title song 'Mission
Mission'. Written and sung by Hamza Faruqui, the
young man who has earlier been heard in Aggar, 'Mission
Mission' could have made for a much better experience
had it been supported by a better music video. In any case,
the song in itself is an out and out club track which goes
well with the theme of the film and creates a high voltage
impact. There is certain ferocity in the way Chirantan Bhatt
composes the tune of 'Mission Mission' which deserves
to be heard at a high volume.
Remember the sound of 'Kaho Na Kaho' [Murder]?
On the same lines is 'Jo Gumshuda' which has
composer Anu Mallik at the helm. After a preamble by Ege, it
is left to Shaan and Mahalaxmi to carry the melodic mood of
the song forward. With a trademark Anu Malik stamp to it and
strong Turkish flavor incorporated in the overall
arrangements, 'Jo Gumshuda' is a quintessential
Bollywood track which should do well as a filler in the
film's narrative but restrict it's presence to just about
that. However, the moment the song's 'remix version' kick
starts, you know the kind of difference the presence of a
certain Emraan Hashmi would have made to the song!
Neeraj Shridhar - Now this name spells magic, especially
after delivering a dozen odd chartbusters with Pritam in the
recent times. Something similar can be expected from 'Nobody
Like You' which has a huge team of artists coming
together. While Chirantan Bhatt creates yet another catchy
tune after 'Mission Mission', Hamza Faruqui, Ishq
Bector come up with a mix of Hindi and English lyrics. While
Ishq adds on his trademark (and impressive) rap, Anoushka
joins him and Neeraj to come up with a new age song with a
Western base to it. Now this is one song which would help
the album sales in a big way if an eye catchy music video is
created around it! The belief is only strengthened once the
'remix version' of the song is heard.
Javed Ali, who was quite brilliant in 'Kehne Ko
Jashn-e-baharaan Hai' [Jodhaa Akbar], is back to
the playback singing stage with 'Yaar Mera Dildaara'
which is on the same lines as 'Mehboob Mere' [Fiza].
With both Javed and Sunidhi Chauhan coming up together for
this number with Sufi overtones, 'Yaar Mera Dildaara'
by Sameer is a just about decent tune with nothing
exceptional to write home.
Mika Singh is seen in a triple role with 'Apun Ke
Saath' for which he wears the composer, lyricist and
singer hat. While Virag Mishra is his partner in writing the
lyrics, Pretty Priya joins him behind the mike. A theme song
with 'Mission Istaanbul' as the key words incorporated in
the lyrics, 'Apun Ke Saath' has a rap-n-reggae touch
to it and is mainly a theme number which should be heard as
a part of the film's background score.
The good part about Mission Istaanbul is that for
most part of its duration, the soundtrack sticks on to the
film's theme. Also, the sound remains consistent throughout
due to the Western/Turkish mood of the film. The team of
composers in Mission Istaanbul isn't out to create an
exceptional score but going by the kind of setting that the
film provides them, they do reasonably fine with staying
consistent.
    
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